{"id":3666,"date":"2014-05-14T19:24:50","date_gmt":"2014-05-14T19:24:50","guid":{"rendered":"http:\/\/audioresurgence.com\/?p=3666"},"modified":"2019-12-02T22:30:35","modified_gmt":"2019-12-02T22:30:35","slug":"aesthetix-calypso-preamp","status":"publish","type":"post","link":"https:\/\/www.audioresurgence.com\/2014\/05\/aesthetix-calypso-preamp.html","title":{"rendered":"Aesthetix Calypso Preamp"},"content":{"rendered":"<p>It took a little while for me to appreciate the true quality of the Aesthetix Calypso. Why? Well, quite simply, I didn&#8217;t want a preamp in my system. Having lived quite happily for some time driving my Cary Audio 2A3 SE&#8217;s directly from my Audio Aero Capitole MKII, I&#8217;d convinced myself that &#8220;source direct&#8221; was the best approach. Taking a simplistic view of this it made complete sense that eliminating one rather large active component from the signal path had to be a good thing for sound quality. It wasn&#8217;t until I thought about it more openly did I come to realize the unpredictability of the affects of running source direct. Basically, it&#8217;s about coupling components whose input and output electrical properties combine in a synergistic way. Eliminating a preamp, places the output impedance of (in this case) the CD player, in direct contact with the input of the power amp. That may or may not be a good combination.<\/p>\n<p>Adding the Calypso preamp between the CD and power amps introduced a sense of dynamics that I hadn&#8217;t heard before in my system. Initially, I heard the dynamics but also a little &#8220;leanness&#8221; to the sound that I didn&#8217;t much care for. I interpreted this information conveniently to support my theory at the time, that source direct had to be best. However, I needed a preamp to facilitate the addition of a projector system with DVD player to my system, so after the initial disappointment had settled, I set about trying to make it work. The first step was to add a better power cord to the Calypso. Enter the ESP Essence cord. Wow. That was my first real positive experience with semi-exotic PC&#8217;s. Other experiences with VenHaus designs and expensive cables from Virtual Dynamics, hadn&#8217;t yielded anything real noteworthy. The ESP cord opened up the stage, increased dynamics still further and improved overall transparency. Great! &#8211; but still a little lean.<\/p>\n<p>Next on the agenda, when in doubt, introduce NOS tubes. I knew the Sovteks that came with the Calypso preamp (supplied stock by the factory) were probably a little weak, but I&#8217;d read online about many negative tube-rolling experiences by owners of this preamp, primarily due to the rather high demands the amp places on the 12AX7&#8217;s, resulting potentially in an excessively noisy output.<\/p>\n<p>Along came a pair of Mullard 4004&#8217;s from Kevin Deal at Upscale Audio. Premium tubes, checked for low microphonics and ultra-quiet. Next, enter a pair of Telefunkens for the 6922 positions and a pair of Siemens, Amperex and Svetlana&#8217;s.<\/p>\n<p>After much trial and error, including the elimination of some tubes due to excess tube noise, I settled very happily on the Svet&#8217;s for the 6922 and Mullards for the 12AX7 slots.<\/p>\n<p>That was it folks. Wonderfully transparent sound, dynamics, bottom end solidity and extension, and&#8230;..a nice liquid midrange.<\/p>\n<p>The Aesthetix Calypso really is an amazing preamp, I can&#8217;t imagine going back to source-direct.<\/p>\n<p>Rooze<\/p>\n","protected":false},"excerpt":{"rendered":"<p>What to do when you don&#8217;t want to use a preamp&#8230;.<\/p>\n","protected":false},"author":13,"featured_media":3772,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[89],"tags":[],"class_list":["post-3666","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-preamps-integrateds"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.audioresurgence.com\/wp-content\/uploads\/2014\/05\/aesthetixcalypso.png?fit=508%2C239&ssl=1","jetpack_sharing_enabled":true,"jetpack_likes_enabled":false,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/www.audioresurgence.com\/wp-json\/wp\/v2\/posts\/3666","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.audioresurgence.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.audioresurgence.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.audioresurgence.com\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/www.audioresurgence.com\/wp-json\/wp\/v2\/comments?post=3666"}],"version-history":[{"count":0,"href":"https:\/\/www.audioresurgence.com\/wp-json\/wp\/v2\/posts\/3666\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.audioresurgence.com\/wp-json\/wp\/v2\/media\/3772"}],"wp:attachment":[{"href":"https:\/\/www.audioresurgence.com\/wp-json\/wp\/v2\/media?parent=3666"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.audioresurgence.com\/wp-json\/wp\/v2\/categories?post=3666"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.audioresurgence.com\/wp-json\/wp\/v2\/tags?post=3666"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}